Jan 19 2010

Owen Pallett – Heartland

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Owen Pallett used to be known as Final Fantasy, for whatever (likely boring legal) reasons, he is now releasing (& rereleasing previous) music under his birth name.

Owen’s third CD, Heartland was released on January 11 2010, to instant critical success. It won a best new music award on pitchfork, as well as scores of 90% on several blogs.

He has a completely unique sound, using sequencers to loop sounds he has created, whether basic percussion made through tapping his violin or plucked violin for rhythm, which is backed up by a basic drum machine. This is then complimented by Owen’s passionate singing, and skilled violin over the top.

Heartland has a common theme throughout, all the songs based on  Owen’s narrative to a fictional ultra violent farmer called Lewis. Concept albums are very much in fashion at the moment, but often put artistic intentions above quality of the music.  On heartland, these two aspects are combined perfectly.

The 2 songs here are quite different.

Midnight Detectives is the first song on the CD. It starts off slowly and simply, building with the multiple layers, before moving into an almost classical section towards the end of the song.

Lewis Takes Action, is a more poppy song, all the sounds fit together perfectly, and Owens skills at playing complex violin pieces while singing over top make it a delight to listen to.

Have a listen, buy the CD, listen, and then listen some more.

Each listen through the disk reveals more hidden gems, ensuring this will be a CD I will return to again and again.

Owen Pallett Myspace – http://www.myspace.com/owenpallettmusic
Website: http://www.owenpalletteternal.com/

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Jan 19 2010

Big Day Out 2010, Write up

15th of Jan was BDO 2010 today, as with the other half of Auckland, I wandered down to view the show. This is far more of a commentary than a review, as I was wandering and enjoying the atmosphere to really focus on most of the music.

Logistics

First adventure was catching a train there, while they were coming very regularly, coming on time was a different matter, we had to wait 30 minutes for a train to come. When we finally got on, it was filled with topless sweaty boys, this of course was the theme of the rest of the day.

The show itself was laid out well, I managed to manoeuvre around without to much difficulty, although I generally stuck in one place for a while, and had 3 distinct parts of the day – Build up to girl talk in the boiler room, Decemberists etc on the back stages, then heading to the main stage to see Mars Volta & Muse.

Boiler Room & Girl Talk

My day opened with Concord dawn, while I am not normally a dance bunny at all I enjoyed their show, as did the rest of the crowd, managed some slight dancing, while keeping my distance and getting myself set & orientated for the day.

After a quick break and some sun, it was back into the boiler room. I wandered up to the front for Minuit, who were far better than I thought they would be, pop sung over electronic backing. The key priority of this was to get a good spot for girl talk.

We knew girl talk was something special when random (underdressed) members of the crowd were picked out to dance on stage. When Girl Talk came on the boiler room was packed, with many people, from all genres of musical life getting ready to see what the party was going to be like.

And a great party it was, all the mixing was live (meaning that only 2 tracks could be mixed at once as opposed to 3 or more on his recorded work) but still some great mashups. I was stoked to hear Girls & Arcade Fire being mixed into hiphop & pop classics. The stage performance was also excellent – Toilet paper being sent into the crowd via air machines, lots of crowd involvement and of course the forementioned dancers. I had a great time, and considering I was stone sober & it was only 4pm had a great dance, thoroughly getting into it with the rest of the crowd.

Peaches were up next, while I wanted to see her, as always at the BDO sacrifices have to be made, and in my case this meant heading to the back stages to get a good spot for Decemberists.

Back Stage – Decemberists

I am a new fan of the Decemberists, only really knowing their latest CD plus a few of their hits, but I had a great time. They managed to change the mood from happy and summery, to dark and mellow, changing the theme of the songs from their life, to the various tales they have told through their CD.

I was also impressed by the wide range of instruments played, different guitars from every song, accordions, xylophones, and Bouzouki Guitars. All of this made their prog folk sound come of brilliantly live. What surprised me was the setlist, I was expecting a full play through of Hazards of Love as seems to be normally the case with their concert, but instead got a full show, including their older popular songs.

The crowd involvement was great, at one point requiring everyone to lie on the ground (well, in my case on the knee of the friendly mettaler behind me) before jumping up when the song fully kicked in.

I was quite spent after Decemberists (especially as their was a giant rush of bogans rushing to get prime position for Rise Against) so wandered off for a sit down and some food. Unfortunatly my food was atrocious (as opposed to most people who seemed happy with the food they had received), Savory waffles = over priced disgusting cheese on toast.

I caught half of Devendra Banhart and his band, and was not as impressed as I was expecting to be, I think I was expecting a far more intimate performance, and to see him putting on a rock show was very different. While everyone else seemed to be enjoying it, I was content to lie back, get some final rays of sun and enjoy the show.

Return to the Main Stage


At this point it was time to brave the masses and head to the main stage. At this point it was 7.30, and I had been impressed by the lack of cellphone reception problems which seem to occur every year. Of course everything changed at this point, when I headed to the masses, I tried to find people, anyone, to watch the show with. After 30 minutes of not being able to text or tweet anyone, I decided rather than spending the next 2 hours wandering in desperate hope of finding friends, I should deal with the face I would be watching the end of the show alone and go for a good spot, which I eventually found (In a relative sense, sitting on a step squeezed between 2 sweaty guys was hardly ideal)

I caught the end of Lily Allen, who seemed to put on a good show, and kept the crowd happy, her sound was very true to how it was recorded, but she was very controversial, smoking on stage, oh my.

Mars Volta

Mars Volta came onto the Orange stage at 8pm. I should like Mars Volta, musically they are exactly what I should enjoy (plus I was/am a giant At the Drive-in fan) but I have never got into them. The Mars Volta set was different from what they have previously played, I’m guessing due to the fact they were 2nd headlining main stage rather than playing an afternoon on the back stage – it was far more of a rock set rather than being experimental.

I thoroughly enjoyed their first song, Son et Lumiere?, a more rocky song off their first CD, however the middle of their set descended into noise (The fact that I was situated on the opposite side of the stadium, with the wind affecting what I could hear made a big difference). The rest of the crowd seemed to be enjoying themselves, even if they some didn’t quite know what to make of it. The final song, Roulette Dares reminded me the potential I felt they have, sounding like the great mix of all their influences. Cedric is a great (my favorite?) band leader.

Muse


Finally it was time for Muse. It was obvious this was who people were here to see as a huge crowd came to crowd the stage. Muse as always were amazing. They were as always straight to the point (no introduction/no talking) and they were as tight as always. The show itself was amazing, with a great laser show shining throughout the whole stadium. They definitely are one of the greatest live bands in the world right now.

What I found interesting, was how poorly the new songs stood up compared to their older classics, I was obviously not the only one who thought so as the full crowd was far more enthusiastic to older classics. The one exception was Unnatural Selection, which came across far more powerfully live than it does on the CD.

I was also impressed by Matt’s Keytar-caster on Undisclosed Desires.

Other favorite tracks were Supermassive Black Hole & New Born.

Returning Home

When Muse finished their main set, it was time to make a move, I managed to leave the stand in time to be in the main crowd for the encore of Plug in Baby & Knights of Cydonia, before making a brisk walk for the exit.

Catching a train on the way home was simpler than getting there, I missed the first one by 1 minute, but a second one was there 10 minutes later (very impressive) and made it back to Britomart by 11.30, in time for a quick snack run to Foodtown, before making it home, with very sore feet before midnight.

Sober & Very happy, it was an excellent day.

Muse Setlist –

Uprising
Supermassive Black Hole
New Born
Stockholm Syndrome
Dead Star intro riff
Micro Cuts outro riff
Undisclosed Desires
Interlude
Hysteria
Nishe
Helsinki Jam
United States of Eurasia
Resistance
Starlight
Time Is Running Out
Unnatural Selection

Encore:

Plug In Baby
Man With A Harmonica
Knights of Cydonia

Mars Volta –

Son et Lumiere 
Inertiatic ESP 
Cotopaxi 
L’Via L’Viaquez 
Goliath 
Cicatriz ESP 
Halo Of Nembutals 
Roulette Dares (The Haunt Of)


Jan 19 2010

SOTD Hot Chip : Thieves In the Night

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I like Hot Chip. People have always judged me for liking Hot Chip, it is cheesy, poppy electronic music, but I do. I really do.

My favourite electronic music is guitar based (my favourite rock music is electronic based for the record). I have spent many hours bopping along to all their classic songs – boy from school, over and over, hold on & ready for the floor. Cheesy, but wonderful music, for cheesy but wonderful moods.

The new Hot Chip CD, One Life Stand,  is released February 1st, and as per our new modern 2010 reality a few songs have trickled out, building excitement and hype.

Hot chip are going in a new direction, it is very difficult to call them a dance band any more, while the usual electronic aspects are still there, drum machines, layers of synthesizers, but the BPM is way down. This creates a new more mature, mellower sound. It is far more Saturday afternoon listening, than music for listening to in the club (although I’m sure endless remixes will change that)

This song, Thieves in the night, is the first track off their new CD, it is a classic hot chip song, combined with their new deeper sound with all the feel good elements which made them so popular.

The vocals are more natural, stronger, and more defined. The synths blend in far more, rather than being the defining sound. The guitars are far more prominent, rather than being part of the rhythm section, as per previous CDs.

It starts very mellow, building in both tempo and intensity, with slower, longer verses, before coming into the chorus where Alexis sings  “Happiness is what we all want”,  switching from bridge to chorus and back again, when the full bands combines the full twangly power emerges.

Very different, but very good.

Hot Chip Website: http://www.hotchip.co.uk/
Hot Chip Myspace: http://www.myspace.com/hotchip

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Jan 17 2010

Concert Preview: Camera Obscura & Slow Club 18/1/10

camobscura2010 

Tonight, despite being a quiet Monday night, I am very excited.  I get to see one of my favourite bands play at my favourite venue (Bacco room, Auckland)

I have been a fan of Camera Obscura since their CD Let’s Get Out of This Country released in 2006. I love the indie pop sound, lead by Tracyanne Campbell’s powerful vocals.

This song comes from their previous CD, my personal favourite. Lloyd, I’m ready to be heartbroken, (apparently written in response to Lloyd Coles "Are You Ready to Be Heartbroken?") features everything that makes them great, the soft but powerful vocals, the melancholy synth sounds, all combining to make a beautiful pop song.

Camera’s obscura’s latest CD, My Maudlin Career, was released in 2009, starting to achieve mainstream success, as well as a best new music award from pitchfork. The leading single – French Navy, is available free from their website.

I am  new to Slow Club, prepping myself for this concert was the first I had heard of them, but I am already a big fan. Their touching sweet alt country/twee  songs feature great vocal plays between the 2 singers.

This track, off their CD, Year so, released in 2009 is a great example of what they are about, fun, poppy but full of emotion.

Camera Obscura Website http://www.camera-obscura.net/
Myspace http://www.myspace.com/cameraobscuraband

Slow Club Myspace http://www.myspace.com/slowclub

Camera Obscura – Lloyd I’m Ready To Be Heartbroken

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Slow Club – It Doesn’t Have To Be Beautiful

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Jan 16 2010

SOTD: The Decemberists – Hazards of Love

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After being blown away by the folky beauty of the Decemberists at the Big Day Out I had to include them as song of the day. The difficulty with this, is the full CD is effectively one song, broken into pieces for convenience of listening more than anything

Anyhow, The Decemberists fifth CD, the hazards of love was released  in March 2009, and was my exposure to this indie folk band (trying to generize is so much fun).

The hazards of love, features a variety of instruments (upright base, accordions, Bouzouki & 12 string guitars), varying tempo’s and genre’s all written around the common theme – a women called Margaret in love with a shape shifter, William.

Despite the fantasy themes, it is very listenable, and easy to get lost in.

This track – “The Hazards Of Love 1 (The Prettiest Whistles Won’t Wrestle The Thistles Undone)”, is the closest to a single on the CD, and offers a good introduction to the band/cd. However listening to one song, off an album (in the true sense of the word) doesn’t do it justice at all.

It starts of as a simple folk track, building slowly in intensity, before turning into the more upbeat “The Bower Song” (next song on the disk)

Listen, enjoy, and sample some more on myspace, and go purchase their cd.

Decemberists Website:  http://www.decemberists.com/
MySpace : http://www.myspace.com/thedecemberists

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Jan 15 2010

SOTD: Beach House – Norway

Norway

Its rare for a song to grab me instantly, normally I require a few listens to fall in love with a song, however Norway by Beach House is an exception.

Beach House is often called a ‘dream pop’ band, their third CD ‘Teen Dream’ is released January 26 2010.

This song is beautiful, catchy, upbeat and soulful all in one. The two vocals, arpeggiated guitar and distorted synth singing magically over a drum machine.

Myspace: http://www.myspace.com/beachhousemusic
Website: http://www.beachhousebaltimore.com/

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Jan 14 2010

SOTD – Jay Reatard : It Ain’t Gonna Save Me

Jay Reatard 14_JAY_REATARDThe internet world has stopped today missing the brilliance that was Jay Reatard. The 29 year old, who in previous incarnations leads bands like The Reatards & Lost Sounds before putting out an excellent solo CD.

Jay (Real name Jay Lindsay) was found dead last night in his sleep, nothing has been announced about cause of his death.

His latest CD, Watch me fall, was one of my favourite party cds of 2009, bringing out catchy, dancey pop punk songs.

This single features old fashion rock sensibilities, punky beats and a general feel good fell.

The first musical death on 2010. RIP Jay.

Jay Reatard Myspace : http://www.myspace.com/jayreatard
Matador Records site : http://www.matadorrecords.com/jay_reatard/

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Jan 13 2010

Yeasayer – Ambling Alp

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Without doubt my favourite song of 2010 so far (it was released in 2009 but appears on a CD released in 2010, so it sort of counts.)

Ambling Alp comes off Yeasayers second CD Odd Blood to be released Feb 09 2010.

I love everything about this song – The looping percussion and guitar, the segues into falsetto bridges into dancey jumpy choruses into the catchiest synth outro I know.

While the rest of the CD is good & growing on me, this is an amazing track, I am looking forward to when I get to hear it pumping out of the indie club with 200 of my closest friends.

Yeasayer Myspace

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Jan 11 2010

The Morning Benders – Promises

promises

The morning Blenders are a 3 piece indie pop band from Berkeley California.
Their new  CD ‘Big Echo’ is released 9 March 2010.

This first single, was released today via www.themorningbenders.com. Instantly catchy, The guitar driven verse, leads into an big chorus with vocals reminding me of Jeremy Enigk.

I am looking forward to the rest of the CD.

The Morning Benders

Website – http://www.themorningbenders.com/
My space – http://www.myspace.com/themorningbenders

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